A Super (Model) Need for Love

What does one know about a super model? Eye color? Breast size? The shape of someone’s face and the curves of one’s body do not describe who a woman is. In the movie Gia, no one really understood the woman behind the millions of pictures. Gia would not let them. Maybe this is because Gia didn’t exactly know who she was herself, or maybe it was her constant need to stand out and to satisfy everyone with her beauty. The women in this movie all brought out different sides of Gia because of what they offered her in terms of a relationship and how they portrayed her. Gia’s relationship between each woman in her life reflected both that need for approval and her reluctance to get too close to someone. In the life of a super model, one is to be seen and not heard. In Gia’s life as a confident, strong willed woman changed into the life of a super model where companionship and a place to call home never seemed to be in reach and only the way she looked seemed to matter.
Gia’s first real relationship with a woman was with her mother. Her mother always encouraged beauty. “Looks, girls learn early, collapse into a metaphor for everything else” (Gilman). This was overly iterated to Gia as a young girl. Standing in front of the mirror reflecting on how pretty the two of them looked together was an important part of the movie that reflected her mother’s superficial behavior toward the importance of how one looks. Because her mother left her, Gia began a new route in life, a one that strayed from the path of most teenage girls, onto one of rebellion. Much of this rebellion was in her appearance, which could be seen as a direct revolt against her mother and the abandonment she felt because of her leaving.
Later in Gia’s life, when she and her mother rekindled their relationship, Gia felt the need to please her mother. She saw that she could do this through her modeling. Gia’s mother was always encouraging her to pursue her modeling career even when she it was the cause of her drug addiction. Gia’s mother saw the modeling industry as success and the completion of what every woman’s goal should be. To be beautiful was her first priority for herself and for her daughter, so to her, Gia’s career was both of their triumph. This is where it is evident that Gia’s mother thought beauty came before all else. Gia was never able to satisfy her mother, especially at the end of the movie when her modeling career was over. Drugs were her escape of the feeling of disappointment weighing down on her from her mother’s words and actions that she never attempted to hide.
Linda was a very important role in Gia’s life and career. She was Gia’s one true love who provided a home and a feeling of comfort throughout her struggle with herself and her addiction. Linda did not feel that Gia’s modeling career was important, she only cared that Gia cure her drug addiction and lead a happy life with her by her side. Because of this, Linda’s view on the world of modeling was seen only as Gia’s downfall in life. In many aspects modeling had made Gia who she was, but Linda always saw it as a negative industry because it was the source of Gia’s drug addition.
At first, Linda was reluctant to let Gia in because of the uncommon nature of their relationship (woman to woman), but after time her feelings took over and she let Gia into her life. Although Linda was what Gia was always looking for, she could never fully accept that she was there and that she loved her. After Linda’s many rejections at first and her disapproval to her life of drugs, Gia ended up leaving and once again finding herself alone. Gia was so used to people leaving, as they did her whole life, and so used to people only loving her for her face, as they did in her career, that she was unsure of how to handle someone who truly loved her as a person. The possibility of Linda as a real option scared Gia, and she ultimately pushed her away with drugs.
“The beauty myth tells a story: The quality called ‘beauty’ objectively and universally exists. Women want to embody it and men must want to possess women who embody it.” (Wolf) The modeling industry from the beginning encouraged this kind of mindset. Once a woman’s mind was in, it was hard to get out. Without beauty came disappointment followed by the need for escape. Gia’s tragedy was initially developed through the need for beauty by Gia’s mother and Gia and because of these unhealthy views, Gia was lost of a companion who loved her and lost of all love for herself.



Gilman, Susan Jane. "Klaus Barbie, and Other Dolls I'd Like to See". Chapter II: Becoming a Woman in our Society. 2000: 73.

Wolf, Naomi. "The Beauty Myth". Chapter III: Gender and Women's Bodies. 1991: 121.

Tight,Toned, and Tiny= The Perfect Woman

The media presents a message to girls of all ages that a thin body and a beautiful face make up the ideal woman. Magazines for women play a huge role in delivering these messages. With pictures of pencil thin women and regular articles about how to lose weight, the message is clear that being skinny is the best way to be in our society today. This mindset has brainwashed many women. For example, “…thirty three thousand American women told researchers that they would rather lose ten to fifteen pounds than achieve any other goal.” These numbers are shocking. Being thin now seems to be the answer to many things such as getting a man and reaching a state of happiness.
On Shape magazine’s website woman are asked to share success stories. 100 percent of the stories there are about women losing weight. Their “success” is that loss. The website also includes a weight loss diary, a page devoted to “getting fit” and many other links that take readers to other websites that are all about losing weight. Other popular magazines such as Women’s Day and Good Housekeeping put article headings on their cover such as “Bye Bye Belly Fat” and “20 Fat Blasting Foods” to get a woman’s attention. These magazines publish articles with quotations saying women should love their bodies then put pictures of skinny women and articles about how to lose weight on the next page. “Girls are encouraged to love their bodies, no matter what they look like, by magazines with fashion spreads featuring only stick thin, flawless faced white models in expensive outfits.” Something is not right here. Redbook magazine asks readers to tell how they are feeling in a section of the magazine. When one woman said that she felt beautiful the magazine replied, “You do look beautiful. Look even more beautiful in five minutes!” This piece of advice was followed by make-up tricks. The media is out of control with the message they portray to woman of all ages. There is more to a woman than toned legs and a flat stomach, but the magazine industry doesn’t seem to agree.

"Teen Mags: How to Get a Guy, Drop 20 Pounds, and Lose your Self Esteem" Anastasia Higgnbothamn
"The Beauty Myth" Naomi Wolf

Blue Must Mean it's for Boys

Gender stereotypes are introduced to children at a very young age through the media’s attempts at selling certain kinds of toys. Characteristics young people are expected to have are illustrated very clearly through pictures and language in commercials and websites that sell these toys. Colors and design also indicate whether certain toys were meant for boys or girls. The names of a product often allow children to recognize whether the toy was meant for them or the opposite sex. Children are beginning to learn their identity at a very young age and the toys they play with become a big part of that.
Boys are subject to violence at a very young age through toys. The popular brand Nerf advertises guns and violence very clearly to only boys. The main website offers toy selection through gender with links such as “Browse by Girl” and “Top toys for Boys” (Hasbro). The differences of these categories are quite clear as the list of girls’ toys include stuffed animals with bottles and other accessories, “get together” games, and lots of pink things, while the boys’ toys include cars, guns, action figures, and lots of blue.
These toy stereotypes can be seen all over television, the internet, and the rest of the media. Even the names of products such as Game Boy suggest if toys are appropriate or meant for boys or girls. If the product is about sports, such as Frisbee, only men will be advertised using it. “The development of athletic careers is best explained as a process of development of gender identity and status in relations to same sex peers.” (Messner 126) This development starts with these “boy toys”. If the toy is about makeup, caring, or friends it is it is displayed by young girls’ who are often wearing dresses and smiling shyly with friends. This images and words display stereotypes for children at an age when they are most vulnerable. By watching these commercials or seeing these advertisements, children become aware of the toys and want them. If they obtain them, they are learning the way society expects them to act simply through their play.
As girls play with dolls and pom-poms (even made by the popular company that makes Slinky) they learn to become passive. “Decades of research show that ‘girls’ toys’ still revolve around themes of domesticity, fashion, and motherhood.” (Newman Chapter 4) They unconsciously learn that they are supposed to sit back and watch while the boys actively play. Girls learn that they are the care givers and are to take in the characteristics of nurturing and sensitive. They start to assume that gossip and friends is the new way of life, while boys reject these things as soon as they see the color pink.
On the other hand boys are introduced to violence and guns as being “cool”. “Boys’ toys emphasize action and adventure.” (Newman Chapter 4) Action figures with big muscles, sunglasses, and huge machine guns make up some of the most popular boys’ toys, and video games clearly meant for boys (Game Boy) are full of shooting and violence. Power and strength is displayed as an important trait to a young boy through these figures possessions and bodies. They learn that they must be tough and active. These ads sculpt the vulnerable children who play with them as they begin to learn who they are. Ultimately these toys will affect their thoughts and help to mold their views for the rest of their life.


References:

Messner, Michael A. "Boyhood, Organized Sports, and the Construction of Masculinities". Journal of Contemporary Ethnography. January 1990. (1990). 126.

"Nerf" Hasbro. 2004-2005. <http://www.hasbro.com/nerf/>

Newman "Chapter Four: Learning Difference".